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	Comments for Davood Gozli	</title>
	<atom:link href="https://dgozli.com/comments/feed/" rel="self" type="application/rss+xml" />
	<link>https://dgozli.com</link>
	<description>RESEARCH &#38; WRITING</description>
	<lastBuildDate>Fri, 23 Oct 2026 22:48:24 +0000</lastBuildDate>
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		Comment on Anne Dufourmantelle&#8217;s &#8220;Power of Gentleness: Meditations on the Risk of Living&#8221; by Ejaz Hussain		</title>
		<link>https://dgozli.com/anne-dufourmantelles-power-of-gentleness-meditations-on-the-risk-of-living/#comment-67935</link>

		<dc:creator><![CDATA[Ejaz Hussain]]></dc:creator>
		<pubDate>Fri, 31 Jul 2026 07:24:46 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=4583#comment-67935</guid>

					<description><![CDATA[Sublime!

This book was a most overwhelming and sensational book I have ever had the pleasure to read. As you, I had countless excerpts noted and collected.

Thank you Mr Gozli. One of the best recommendations I’ve had.]]></description>
			<content:encoded><![CDATA[<p>Sublime!</p>
<p>This book was a most overwhelming and sensational book I have ever had the pleasure to read. As you, I had countless excerpts noted and collected.</p>
<p>Thank you Mr Gozli. One of the best recommendations I’ve had.</p>
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		Comment on Optimizing Content: Practices &#038; Purposes in Changing Environments by Stoic		</title>
		<link>https://dgozli.com/optimizing-content-practices-purposes-changing-environments/#comment-61581</link>

		<dc:creator><![CDATA[Stoic]]></dc:creator>
		<pubDate>Tue, 12 May 2026 19:49:14 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=4701#comment-61581</guid>

					<description><![CDATA[To summarize the above: in terms of &quot;content optimization,&quot; a proper ordering of lower-level (keywords, thumbnails, etc.) and higher-level (relevance, clarity, etc.) considerations allows for concrete actions on ever-changing platforms, while maintaining attunement to the larger values that motivate the project.

To drill into the tension between the lower and the higher while continuing with the example: the former activity has values embedded in it, which, if left unexamined, can dispirit the overall project or bend one out of integrity.

For example, the conversations around optimizing for the lower-level things you list (SEO, AEO, AI search, etc.) carry the core value of reach, a value tethered to the activity itself and bolstered by the culture surrounding optimization, which often pairs reach with attention-capture.

The solution of subordinating reach to a higher-order value — one incompatible with attention-capture — still presents a challenge: the former remains readily quantitative, hence easier to measure, while the latter remains qualitative, mainly relational, hence harder to attune to in online environments like YouTube. This challenge can be mitigated by holding regular, communal gatherings with one&#039;s audience. A content creator who arrives this far in the inquiry then wrestles with an additional question: whom am I called to commune with?

Your careful reasoning through such matters evidently accounts for how you&#039;ve maintained integrity with your channel.]]></description>
			<content:encoded><![CDATA[<p>To summarize the above: in terms of &#8220;content optimization,&#8221; a proper ordering of lower-level (keywords, thumbnails, etc.) and higher-level (relevance, clarity, etc.) considerations allows for concrete actions on ever-changing platforms, while maintaining attunement to the larger values that motivate the project.</p>
<p>To drill into the tension between the lower and the higher while continuing with the example: the former activity has values embedded in it, which, if left unexamined, can dispirit the overall project or bend one out of integrity.</p>
<p>For example, the conversations around optimizing for the lower-level things you list (SEO, AEO, AI search, etc.) carry the core value of reach, a value tethered to the activity itself and bolstered by the culture surrounding optimization, which often pairs reach with attention-capture.</p>
<p>The solution of subordinating reach to a higher-order value — one incompatible with attention-capture — still presents a challenge: the former remains readily quantitative, hence easier to measure, while the latter remains qualitative, mainly relational, hence harder to attune to in online environments like YouTube. This challenge can be mitigated by holding regular, communal gatherings with one&#8217;s audience. A content creator who arrives this far in the inquiry then wrestles with an additional question: whom am I called to commune with?</p>
<p>Your careful reasoning through such matters evidently accounts for how you&#8217;ve maintained integrity with your channel.</p>
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		Comment on &#8216;The Thibaults&#8217; by Roger Martin du Gard: Reflections on a Masterpiece by Davood Gozli		</title>
		<link>https://dgozli.com/the-thibaults-by-roger-martin-du-gard-reflections-on-the-novel/#comment-18217</link>

		<dc:creator><![CDATA[Davood Gozli]]></dc:creator>
		<pubDate>Fri, 20 Dec 2024 02:11:25 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=4060#comment-18217</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://dgozli.com/the-thibaults-by-roger-martin-du-gard-reflections-on-the-novel/#comment-17792&quot;&gt;Sameer&lt;/a&gt;.

That&#039;s good to hear. Check out the information on the website (https://dgozli.com/reading-group-schedule) and let me know if you have any questions.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://dgozli.com/the-thibaults-by-roger-martin-du-gard-reflections-on-the-novel/#comment-17792">Sameer</a>.</p>
<p>That&#8217;s good to hear. Check out the information on the website (<a href="https://dgozli.com/reading-group-schedule" rel="ugc">https://dgozli.com/reading-group-schedule</a>) and let me know if you have any questions.</p>
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		Comment on &#8216;The Thibaults&#8217; by Roger Martin du Gard: Reflections on a Masterpiece by Sameer		</title>
		<link>https://dgozli.com/the-thibaults-by-roger-martin-du-gard-reflections-on-the-novel/#comment-17792</link>

		<dc:creator><![CDATA[Sameer]]></dc:creator>
		<pubDate>Thu, 12 Dec 2024 23:21:52 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=4060#comment-17792</guid>

					<description><![CDATA[I want to join your reading group]]></description>
			<content:encoded><![CDATA[<p>I want to join your reading group</p>
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		Comment on Interview with Sebastjan Vörös: Minds, Worlds &#038; Non-Duality by Davood Gozli		</title>
		<link>https://dgozli.com/interview-with-sebastjan-voros-minds-worlds-non-duality/#comment-4587</link>

		<dc:creator><![CDATA[Davood Gozli]]></dc:creator>
		<pubDate>Wed, 28 Feb 2024 23:22:13 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=3863#comment-4587</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://dgozli.com/interview-with-sebastjan-voros-minds-worlds-non-duality/#comment-4562&quot;&gt;Patrick England&lt;/a&gt;.

Hi Patrick — Thank you for writing and for your interest. Our small group can most certainly welcome another person. I will follow-up with an email shortly.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://dgozli.com/interview-with-sebastjan-voros-minds-worlds-non-duality/#comment-4562">Patrick England</a>.</p>
<p>Hi Patrick — Thank you for writing and for your interest. Our small group can most certainly welcome another person. I will follow-up with an email shortly.</p>
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		Comment on Interview with Sebastjan Vörös: Minds, Worlds &#038; Non-Duality by Patrick England		</title>
		<link>https://dgozli.com/interview-with-sebastjan-voros-minds-worlds-non-duality/#comment-4562</link>

		<dc:creator><![CDATA[Patrick England]]></dc:creator>
		<pubDate>Mon, 26 Feb 2024 17:43:49 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=3863#comment-4562</guid>

					<description><![CDATA[Hi Davood,  

Thanks for your work.  I&#039;m interested in joining your reading group if the group isn&#039;t too large.   I have a solid background in  Lit and writing as a private tutor and writer.  Please let me know if there&#039;s room for one more engaged and enthusiastic voice.  

Best,  
Patrick England]]></description>
			<content:encoded><![CDATA[<p>Hi Davood,  </p>
<p>Thanks for your work.  I&#8217;m interested in joining your reading group if the group isn&#8217;t too large.   I have a solid background in  Lit and writing as a private tutor and writer.  Please let me know if there&#8217;s room for one more engaged and enthusiastic voice.  </p>
<p>Best,<br />
Patrick England</p>
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		Comment on A Year with Svend Brinkmann&#8217;s Book &#8216;Qualitative Inquiry in Everyday Life&#8217; by Peyman		</title>
		<link>https://dgozli.com/a-year-with-brinkmanns-book/#comment-1803</link>

		<dc:creator><![CDATA[Peyman]]></dc:creator>
		<pubDate>Fri, 15 Apr 2022 07:32:32 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=3235#comment-1803</guid>

					<description><![CDATA[hey, check this out
Researching Daily Life:
A Guide to Experience Sampling and Daily Diary Methods
By Paul J. Silvia and Katherine N. Cotter]]></description>
			<content:encoded><![CDATA[<p>hey, check this out<br />
Researching Daily Life:<br />
A Guide to Experience Sampling and Daily Diary Methods<br />
By Paul J. Silvia and Katherine N. Cotter</p>
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		<title>
		Comment on Remembering &#038; Being Remembered by Chris		</title>
		<link>https://dgozli.com/remembering-being-remembered/#comment-1653</link>

		<dc:creator><![CDATA[Chris]]></dc:creator>
		<pubDate>Mon, 21 Feb 2022 23:17:51 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=3179#comment-1653</guid>

					<description><![CDATA[This is interesting, as I have considered this other perspective too. I&#039;m wondering if there is still an important asymmetry between these two relationships: the way that you remember and relate to a city, individually and personally, is not the same as the way a city &quot;remembers&quot; you, or the way individuals in that city remember and relate you when you return). This is not only due to a city&#039;s sprawling heterogenous nature but because returning is much different than being returned *to*. The city didn&#039;t care when I returned, even if I fantasized that it did.  A handful of individuals cared, but for most it was an incidental (&quot;Oh, you&#039;re back then?&quot;), and sometimes the anticlimax of that mismatch could be jarring. 

I realize you are not being quite so literal and that your larger point is the decentering. And this is a beautiful idea. But I still think the asymmetry has bearing, to the extent that the first is more on the level of metaphor and frame, and the second on the level of concrete actions. I recall you remarking elsewhere recently about the limits of metaphor, how they can be insensitive to context. Perhaps in your context you really were called, by family ties or other exigencies. In my case there was a pretext, an affordance - but still it was very much a decision I had to make alone. So it depends on how heavily you want to foreground the causality vs the relation of membership.

What does ring true for me is your proposal that we &quot;write to unburden yourself, to relocate yourself from the center of the narrative to a place with a better view, a place that recognizes others.&quot; This so perfectly captures what you said elsewhere about always writing *to* or *for* or *with* somebody in the background, which it how it has always felt. But for me it feels decentering not because of the thematic subject matter (e.g. a city and one&#039;s place in it), but because of the relational mode it places me into: one of disclosure and explanation. It is not so much that the burden of the decision is shifted, as I feel myself being listened to as I am reprocessing it.]]></description>
			<content:encoded><![CDATA[<p>This is interesting, as I have considered this other perspective too. I&#8217;m wondering if there is still an important asymmetry between these two relationships: the way that you remember and relate to a city, individually and personally, is not the same as the way a city &#8220;remembers&#8221; you, or the way individuals in that city remember and relate you when you return). This is not only due to a city&#8217;s sprawling heterogenous nature but because returning is much different than being returned *to*. The city didn&#8217;t care when I returned, even if I fantasized that it did.  A handful of individuals cared, but for most it was an incidental (&#8220;Oh, you&#8217;re back then?&#8221;), and sometimes the anticlimax of that mismatch could be jarring. </p>
<p>I realize you are not being quite so literal and that your larger point is the decentering. And this is a beautiful idea. But I still think the asymmetry has bearing, to the extent that the first is more on the level of metaphor and frame, and the second on the level of concrete actions. I recall you remarking elsewhere recently about the limits of metaphor, how they can be insensitive to context. Perhaps in your context you really were called, by family ties or other exigencies. In my case there was a pretext, an affordance &#8211; but still it was very much a decision I had to make alone. So it depends on how heavily you want to foreground the causality vs the relation of membership.</p>
<p>What does ring true for me is your proposal that we &#8220;write to unburden yourself, to relocate yourself from the center of the narrative to a place with a better view, a place that recognizes others.&#8221; This so perfectly captures what you said elsewhere about always writing *to* or *for* or *with* somebody in the background, which it how it has always felt. But for me it feels decentering not because of the thematic subject matter (e.g. a city and one&#8217;s place in it), but because of the relational mode it places me into: one of disclosure and explanation. It is not so much that the burden of the decision is shifted, as I feel myself being listened to as I am reprocessing it.</p>
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		Comment on Remembering &#038; Returning to a City by Remembering &#038; Being Remembered &#8211; Davood Gozli		</title>
		<link>https://dgozli.com/returning-to-toronto/#comment-1652</link>

		<dc:creator><![CDATA[Remembering &#038; Being Remembered &#8211; Davood Gozli]]></dc:creator>
		<pubDate>Mon, 21 Feb 2022 18:31:16 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=3168#comment-1652</guid>

					<description><![CDATA[[&#8230;] What I wrote previously about my relationship with Toronto during 2010-2015, and the subsequent deepening of that relationship during the following six years while away from the city, and my eventual return last year, places the burden of agency exclusively on me. After I finished writing, a different way of looking at those years and the relationship occurred to me. A way of looking that recognizes an agency that is external to me. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] What I wrote previously about my relationship with Toronto during 2010-2015, and the subsequent deepening of that relationship during the following six years while away from the city, and my eventual return last year, places the burden of agency exclusively on me. After I finished writing, a different way of looking at those years and the relationship occurred to me. A way of looking that recognizes an agency that is external to me. [&#8230;]</p>
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		Comment on Videos on Don Quixote (Cervantes) by Jettie H. van den Boom		</title>
		<link>https://dgozli.com/videos-on-don-quixote-cervantes/#comment-1649</link>

		<dc:creator><![CDATA[Jettie H. van den Boom]]></dc:creator>
		<pubDate>Fri, 18 Feb 2022 11:53:36 +0000</pubDate>
		<guid isPermaLink="false">https://dgozli.com/?p=3124#comment-1649</guid>

					<description><![CDATA[The original “Don Quixote” is an English book. The Spanish translations appeared in 1605 and 1615, much earlier than the original English publications in 1612 and 1620. Between these two periods, in 1614, a “false” Don Quixote was published under the name Avellaneda. The original English text was never released.

Francis Bacon was the brain behind the three books of Don Quixote; he wrote the part of the hero.
Ben Jonson took on the role of Sancho Panza,  John Donne wrote the poems, “the two friends” Francis Beaumont and John Fletcher were assigned the task of writing loose stories.  These authors made use of the library owned by Robert Cotton.
The printer, William Stansby, inserted concealed clues into the text, in order for the reader to be able to draw conclusions…

The Spanish translations were carried out by Thomas Shelton (DQI + DQII) and James Mabbe  (the “bogus” DQ).
Miguel de Cervantes was just a poor Spanish writer who had sold his name to survive. He had told his life-story to the English, so that it could be processed into the DQ.  
So: Ten people, sworn to secrecy about their collaboration in the writing of Don Quixote. Now in this book, after four hundred years, clarity is given as to the “who”, “what” and “why” of all this secrecy.
You can order my new book: the deciphering of Don Quixote &#038; the unmasking of Avellandeda&quot; march 2022.]]></description>
			<content:encoded><![CDATA[<p>The original “Don Quixote” is an English book. The Spanish translations appeared in 1605 and 1615, much earlier than the original English publications in 1612 and 1620. Between these two periods, in 1614, a “false” Don Quixote was published under the name Avellaneda. The original English text was never released.</p>
<p>Francis Bacon was the brain behind the three books of Don Quixote; he wrote the part of the hero.<br />
Ben Jonson took on the role of Sancho Panza,  John Donne wrote the poems, “the two friends” Francis Beaumont and John Fletcher were assigned the task of writing loose stories.  These authors made use of the library owned by Robert Cotton.<br />
The printer, William Stansby, inserted concealed clues into the text, in order for the reader to be able to draw conclusions…</p>
<p>The Spanish translations were carried out by Thomas Shelton (DQI + DQII) and James Mabbe  (the “bogus” DQ).<br />
Miguel de Cervantes was just a poor Spanish writer who had sold his name to survive. He had told his life-story to the English, so that it could be processed into the DQ.<br />
So: Ten people, sworn to secrecy about their collaboration in the writing of Don Quixote. Now in this book, after four hundred years, clarity is given as to the “who”, “what” and “why” of all this secrecy.<br />
You can order my new book: the deciphering of Don Quixote &amp; the unmasking of Avellandeda&#8221; march 2022.</p>
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